Tag Archives: War Movie

Battle of Surabaya (2015)

Most of the animation I watch is either from the US, or from Japan with everything else being a detour. Korea, China, Britain, Russia, and a few others I can name you at least one piece of animation that I liked from those countries. One of the many places I currently can’t do that for is Indonesia. Be it they don’t have much of a animation industry, or they’re just don’t get US distribution makes the experience of watching Battle of Surabaya (also known as November 10th in some places) all the more sour.

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Out in the horizon, there’s a better animated movie.

Acting more like a cliff notes version of complex politics, and history Battle of Surabaya never finds it footing. This stems from the fact the historical events is merely a backdrop for half of the movie in favor of Musa’s coming of age story. Unless you’re familiar with this portion of this post WW2 history you’re likely to be loss in the all important events that take place. All of it feels rushed since the film doesn’t properly establish a semblance of time when all these events happen. In other cases provides too much information at the cost of a coherent story while rushing through significant moments. Making it difficult to figure how one event naturally lead to another major event.

You have the Japanese, the Dutch army, you have the Indonesian Rebel group, the BKR, TKR, the Allied forces, and the Kipas Hitam. I’m pretty sure I forgot a few other groups involved in the revolution because of how much is crammed in. All the while not including the possibly fictional, and real historical figures used in the story. With all of this going on in the background there’s no time to give important events they need to develop naturally. Instead of recounting history it has a subplot about ninja warfare which as far I can tell from my limited research did not happen. Using all the violent events, and turn Indonesian take to deliver a hamfisted message that war is bad. If the movie didn’t tell me war was bad I would have thought war was good thing seeing how Musa lose so many people close to him in the war.

When the movie is focused on our shoe shiner lead Musa everything is still as clumsy. Consistently being unable to transition between tones properly when shifting from the prominent romance to the background war of Indonesia. There’s a sequence that is setup to imply Musa is being chased by someone who wants to kill him only to reveal it’s his friend/love interest Yumna. This falsely build up tension scene is followed by a cheesy romantic stroll Indonesia with yes a even cheesier pop song. Unlike every other connection Musa has in the movie his relationship with Yumna works in service of the story.

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Man, this sequence as painful to watch

The comedy on the other hand is just plain bad. Taking inspiration from anime for its sense of humor. At best the humor is questionable since what passes off for jokes in the movie will leave one wondering if they were meant to laugh. One sequence includes Musa uncle allowing Musa to fire a gun at a military base. When Musa fires the gun he nearly kills another soldier, and the movie cheery music tries to pass it up as a joke. I find it hard to laugh at a man nearly getting shot dead by Musa considering it also wants me to feel sad when Musa loses people close to him.

There’s another scene in the movie where Musa is running away from some soldiers. During this sequence that is meant to be filled with high tension you’ll get a comedic prat fall out of nowhere. That’s not the only time either, towards the finale of the movie when Musa is being chased by adults who want to kill him the insertion of comedy kills any tension. Why someone thought in the English dub the act of riding a cow was funny is about baffling as to why not all the dialogue is dubbed into English!

The forefront romance is also lacking in being an emotional pull. This mostly falls on Musa who doesn’t have much to him as a character. Musa mother for instant eventually dies in the movie, but Musa hardly spend any time with her making his mother death lack impact. His mother death isn’t delved into, nor does it have much effect on Musa. His love for his country isn’t properly developed since it doesn’t spend enough time on him soaking in the joys of Indonesia. Biggest drawback from this is the lack of progression of Musa losing his innocent view of the world when the war takes everything away from him. He merely accepts it, and that’s all.

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When still, there’s still so much to pick on

Yumna is the only character in the movie who comes out unscathed by the bad writing. She gets a complete arc, a sympathetic backstory, and is more in touch with her love for her country. Providing a clear understanding of how much she cherish Indonesia compared to Musa where it doesn’t come across as strongly. While she might be in a supporting role she has a lot going on in her storyline that doesn’t merely involve her moving around places.

Side characters are typically one dimensional. Resulting in some questionable development that out of left field. One of them includes an adult, Danu, having romantic feelings for a young girl. Don’t worry, the young girl friendzone him, and it’s forgotten about. The film’s villain, John Wright is silly. He’s meant to be the embodiment of someone purely using violence to end all wars. This could have been interesting, but instead there’s a series of questionable decisions that come with all badly written villains.

Lastly, I have to take about one specific scene in the movie because it came out of nowhere. So a group of military soldiers (can’t remember which because there’s so many factions) driving by a food stand. John Wright stops the car, and takes out a type of machine gun. He proceeds to shoot a jar of rice with the word freedom written on it because it’s the quickest way to get across he’s the villain. A regular movie would have stopped here, but the scene continue with John Wright pulling out a grenade, and destroying the food stand! It was unintentionally hilarious, and I laughed in the utter shock of it.

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Oh man, the horror of this bad animation.

Directed by Aryanto Yuniawan, and animated by MSV Pictures brings us some very choppy animation. You’ll be accustomed to seeing missing frames in animation, characters changing position or size whenever there’s a cut, and can not forget the 3D that sticks out a like a sore thumb. Copy, and pasting obvious 3D models, and multiplying similar looking models to ensure it’s hard to miss.

Rarely does the animation move smoothly leaving plenty to be desired. Especially on the character designs since they lack shading, and details in the hair are regularly missing. It’s an ugly movie to look at, especially in the climax where everything that can go wrong in animation does go wrong. When too much to handle, playing missing continuity adds to the fun. If you’re not distracted by the frequently misplaced, or distorted characters designs in different cuts of the same scene.

The only aspect of the animation that’s remotely passable are the environments. Since the background doesn’t have to move the animators put some details into the background to look okay. Other times the lack in depth of perspective make everything flat, even the characters interacting with the environment.

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Even in SD, this hurts my eyes!

Aryanto biggest failure aside from the poor mixture of romance, comedy, and war drama is his handling of scenes. Instead of opting for something possible within his studio capability you’ll get some ugly, and ambition scenes. One of these include Yumna in a ninja outfit breaking into a military stronghold taking out other ninja with badly rendered 3D environment. This specific sequence makes it impossible to believe that the 2D character is moving in a 3D plain.

The English dub is downright terrible! None of the actors sounded convincing in their roles. Musa voice actor, Alistair Hendry, can’t figure out what accent to give to Musa changing it every so couple of scenes. Would have been forgivable if he didn’t sound monotone through the whole thing. Surprisingly, none of the main cast are actually the worst actors, but it’s the ones in bit roles. These bit role voice actors come out of nowhere to have some awful line delivery. Generally sounding like they use the first take, and didn’t bother with doing any more.

Indonesian animation is an area that’s completely unexplored for me, but at one point so was anime. In the same way my first exposure to Chinese animation (a movie called 10,000 Years Later) wasn’t a good one I’m still keeping an open mind about Indonesia animation. Assuming I can ever find another animated film Indonesia made with some viewable access. If not, well, Battle of Surabaya still wouldn’t be something I would recommend for anyone.

Rating: 2/10

Cinema-Maniac: Lone Survivor (2014) Movie Review

War films walk a thin line of being another action sub genre to propaganda promoting or discouraging the idea of war. The overall picture is what most of these films tend to get across forgetting the hardship endured by soldiers comrade or not are just as painful. “Lone Survivor” premise alone gives it enough ground to break the mold common to war films making it all the more disappointing that it’s just standard action movie.

Lone Survivor follows Marcus Luttrell and his team set out on a mission to capture or kill notorious Taliban leader Ahmad Shah, in late June 2005. Before reaching the fifty-five minute mark the film failure to provide sufficient characterization is it biggest detractor. Simply applying the soldiers were married and had kids doesn’t automatically garner sympathy. We get no background on what each soldier specialize in or their ranking before and during their operation. Most of the dialogue in the first half of the film is military exposition (equipment not working, position of environment, examining battle conditions, you name it) with the occasional conversations relating to the soldiers personal lives. These few non work related conversations is the closest the film comes to making the soldiers appear as friends instead of coworkers. A shame as the film heavily plays on the idea that the soldiers have allot more history together than it actually bother to touch upon. The actual tragedy occurs pass the fifty-five minute mark derailing for a second half more interested in action than its soldiers. For the next thirty-five minutes get ready for a long stretch of action that replaces dialogue for constant gunfire. Structurally the film is fundamentally broken unable to balance story, tone, pacing, and characters in three acts. No matter at which point you skip into the film it’s story is so deadpan that nothing in between really needs your attention. Simple to the point that it doesn’t require much attention even if you sleep to the middle of it you can easily connect the pieces. This film biggest crime is not that it took a true story and turned it into an action film. No, it’s biggest crime is taking a true story and giving it a sense of fiction that tells the audience nothing about the soldiers who lost their lives and making it comes across as a product instead of an inspiring true story about soldiers who died and fought what they strongly believed in.

On the technical side there’s a hardly a thing wrong with “Lone Survivor”. Peter Berg falters when it comes to drama, but when it comes to action he delivers. On his part it was a good decision to make the lengthy battle in the middle of the film. Because of this in real time we get an understanding how dire the situation is for the soldiers fighting and slowly showing the ever growing scars on their bodies. Seeing the battle unfold is unrelenting with seemingly never ending gunfire even if the staging comes off as pure Hollywood given the amount pain the soldiers can take. When it comes to acting the main four which includes Mark Wahlberg, Ben Foster, Taylor Kitsch, and Emile Hirsch are on equal grounds. If not for the poster (but mostly a bad editing decision) you wouldn’t be able to pick out the main character which works for the film intentions. Sadly because of the film shows in the beginning it kinda defeats what the actors did. Although that’s more to blame on Berg bad decision over the actors. The score is memorable reaching all the right notes to add emotions where the script failed to do so.

Lone Survivor ditches the human core of its story becoming a straightforward action movie. It’s structure is a mess with characterization taking a back seat to endless barrages of bullets. The intention to honor the men and their moral code are good, but the delivery of it is not what the story needed. If it weren’t for the fact that “Lone Survivor” was based on a true story this would have been labeled as another typical action movie.

6/10

Cinema-Maniac: Apocalypse Now (1979) Review

I recently re-watched Apocalypse Now and my views on it is still the same. It’s a great movie and a classic.

During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe. I liked the story to be honest, though while at times it did feel slow I found it nonetheless to be a smartly written movie. Though this does take place in the Vietnam War, i’m surprise the direction it was taken as it main focus wasn’t the war, it the mission of our hero Willard and how he’s admiring the man he was assigned to kill. My only complain about the story is the last twenty minute, it’s just wasn’t as good as the rest of the movie. It also felt really dragged on and I felt it loosing momentum and ends up with a good ending that could have been better.

Now usually what people expect from war movies is of course allot battles. If you’re one those people you’ll be disappointed as it main focus is on the characters and not winning the war. I’m glad the movie goes in this direction as I honestly think it was the only way to make a movie like this and make as mesmerizing and incredibly entertaining as it is. The music perfectly fits into the movie, it adds more emotion to certain scenes, and makes it a more memorable experience. If you’re expecting a final battle like in Saving Private Ryan you’ll be disappointed as well, that’s why this is consider one of the greatest movie ever made. It takes a war movie in a entirely different direction which makes it stand out from every other war movie ever made.

Apocalypse Now is certainly deserving to be called one of the greatest movie ever made. Though I still found the last twenty minute not to be at the same level as the rest of the movie. This one of those that gotten better age and will always have a place in movie history.

9/10